7 Saat Khoon Maaf - Movie Review

Cast :: Neil Nitin Mukesh, Priyanka Chopra, Naseruddin Shah, John Abraham, Mohanlal, Irrfan Khan

The very thought of watching a Vishal Bhardwaj film excites a movie buff no end. Right from MAKDEE to KAMINEY, Bhardwaj's body of work stands out from the rest. The forward-thinking film-maker's fixation for adapting novels and plays is known to all and sundry by now. Continuing with his practice of adapting from the written form, the supremely talented storyteller now adapts Ruskin Bond's short story 'Susanna's Seven Husbands' for his new outing 7 KHOON MAAF. Known for walking the unusual path, Bhardwaj narrates an unconventional story yet again - of a woman who marries multiple times, following the untimely death of her husbands.

Till a few years ago, no one would've ever thought of making a film on a woman who marries, remarries, weds again, ties the knot yet again... in fact, she walks down the aisle multiple times. That's not all, the woman, we are told, kills each of her husbands subsequently. The theme might come as a jolt to the trditional moviegoers, since the wives on the Hindi screen are either depicted as docile and dutiful or fiercely independent and ambitious. The question is, will the orthodox Indian audience absorb a theme like this? It's blasphemous, some may opine. Imagine a murderous bride, some may rant.

There's talk that 7 KHOON MAAF is also loosely inspired from an Italian movie by the name SETTE VOLTE DONNA aka WOMAN TIMES SEVEN [1967], helmed by Vittorio De Sica. That one depicted seven short stories with adultery as the focal point [Shirley MacLaine, the protagonist, knits these stories together]. However, the resemblance could be coincidental and not an attempt to plagiarize that film.

7 KHOON MAAF works in parts. A few stories - involving Neil Nitin Mukesh, John Abraham, Irrfan Khan and Annu Kapoor - are absorbing, while at least two could've been better narrated - Naseeruddin Shah and Aleksandr Dyachenko. The unfortunate part is that the uninteresting ones come in the latter half and coupled with its excessive length, the impact generated by a captivating first hour gets diluted in the process. Even the culmination doesn't sweep you off your feet.

Not just the unconventional plot, even the execution of the subject material is offbeat and quirky. There are several instances in the narrative where the viewer has to stay very, very attentive. Unlike other films, Bhardwaj wants his viewer to stay attentive and use his mind while watching the various stories in 7 KHOON MAAF. In one sequence, the camera zooms and the funeral transforms into a marriage, while another sequence depicts the marriage transforming into a funeral. Also, the mystery of the killer with five fingers and one toe is disentangled towards the end, but the sequence doesn't register as effectively thanks to the way it has been depicted.

Susanna [Priyanka Chopra] is unlucky in love. Her first husband, Major Edwin [Neil Nitin Mukesh], is overtly possessive and suspicious. After his demise, Susanna marries Jimmy [John Abraham] as she is floored by his musical talent. Jimmy becomes successful, but with success comes girls and drugs. He dies of drug overdose.

Enter Wasiullah aka Musafir [Irrfan Khan]. Impressed by his poetry, Susanna marries him, but discovers that he's a romantic in daytime, but a beast at night. He too gets eliminated. Susanna falls for the suave Nicolai [Aleksandr Dyachenko] from Moscow, but this marriage doesn't last long as Susanna discovers that Vronsky has a wife in Russia.

Following the death of a foreign national, the police start taking keen interest in the case. The officer Keemat Lal [Annu Kapoor] enters Susanna's life. Initially, he asks for sexual favors and later, persuades her to marry him. He dies due to cardiac arrest. After the death of Keemat Lal, Susanna marries Dr. Modhusudon [Naseeruddin Shah]. Susanne is depressed and he puts her on a mushroom only diet. But he's the first guy in her life who wants to get rid of her. Instead, she murders him.

In the end, Susanna marries yet again... for the seventh time. This time, to someone who knows she has committed the murders and sins. What happens next?

Though Priyanka is shown killing her husbands with the help of her ever-faithful staff, let this be told that it's not a scary or frightful experience. Sure, it's intense, but at the same time Bhardwaj injects humor in the narrative and that's the prime reason why the narrative never gets heavy or serious. I'd like to say this film is in a space of its own.

Also, though the protagonist marries and remarries, you don't feel any kind of animosity or hatred for the character. On the contrary, one empathizes with her never-ending pursuit for true love. One feels the pain, loneliness and tragedy that she goes through and that's what makes her the woman that she eventually turns out to be. Wicked, she is, but Bhardwaj offers reasons for her to get rid of those men. The reasons, in most cases, are convincing. But the transition from one man/husband to another is so sudden that Susanna comes across as a desperate lady hankering for yet another marriage.

Bhardwaj, the writer, leaves the viewer clueless about the two stories in the second hour. Fine, Susanna had learnt that her Russian husband had a wife and two kids tucked away in Russia, but the manner in which the entire case is solved leaves you baffled. In fact, one often wonders if it was so easy to murder a person and move on in life. How could the law enforcement remain a silent spectator despite multiple murders/mysterious deaths involving the same woman? The writing didn't appear foolproof and convincing to me.

Bhardwaj shares yet another responsibility in his films - handling the music department. One is assured that Bhardwaj would come up with lilting and high quality compositions, but the soundtrack of 7 KHOON MAAF is strictly okay. The Indian version of the Russian song 'Kalinka', 'Darling', is already a rage and it goes without saying that it's the best track of the enterprise. Rendered brilliantly, the song is sure to be one of the reasons why people will be tempted to watch the film.

Always ready to accept challenges in her career [AITRAAZ, YAKEEN, FASHION] and raising the bar with her performances, Priyanka accepts the challenge to portray ages from 21 to 65 in 7 KHOON MAAF. It must've been an arduous task to get the different age-groups right, but she proves her infinite acting potential yet again. Known to be an actress who stays true to every character that she is portraying, Priyanka delivers yet another sparkling, award worthy performance this time. There are several love-making sequences with her husbands and Priyanka has handled those [bold] sequences without inhibitions.

Amongst the remaining cast, Annu Kapoor leaves the maximum impact. He's simply outstanding! John doesn't really get much scope, Neil is effective, Irrfan is wonderfully restrained, Naseer is believable and Aleksandr is passable. Vivaan Shah, who narrates the story of Susanna, is a talent to watch out for. Though it's his maiden film as an actor, it doesn't seem like one. He is not your regular debutant and that's what makes his character appear so real. Konkona Sen Sharma does well. Usha Uthup and the two male helps are good.

On the whole, 7 KHOON MAAF is a dark film that has its share of positives and negatives. However, the film will meet with diverse reactions - some will fancy it, while some will abhor it. The film will appeal more to the critics/columnists and the festival circuit. However, it is not the kind of cinema that will set the box-office ablaze. Ideally, I would've given a two star rating for this film, but I am going ahead with an extra star for Priyanka Chopra's sterling performance!

Download 7 Saat Khoon Maaf MP3 Songs
01 - 7 Khoon Maaf - Darling@review-of-movies.blogspot.com
02 - 7 Khoon Maaf - Bekaraan@review-of-movies.blogspot.com
03 - 7 Khoon Maaf - O Mama@review-of-movies.blogspot.com
04 - 7 Khoon Maaf - Awaara@review-of-movies.blogspot.com
05 - 7 Khoon Maaf - Tere liye@review-of-movies.blogspot.com
06 - 7 Khoon Maaf - Dil Dil Hai@review-of-movies.blogspot.com
07 - 7 Khoon Maaf - Yeshu@review-of-movies.blogspot.com
08 - 7 Khoon Maaf - Doosri Darling@review-of-movies.blogspot.com
09 - 7 Khoon Maaf - O Mama (Acoustic)@review-of-movies.blogspot.com

01 - 7 Khoon Maaf - Darling@review-of-movies.blogspot.com
02 - 7 Khoon Maaf - Bekaraan@review-of-movies.blogspot.com
03 - 7 Khoon Maaf - O Mama@review-of-movies.blogspot.com
04 - 7 Khoon Maaf - Awaara@review-of-movies.blogspot.com
05 - 7 Khoon Maaf - Tere liye@review-of-movies.blogspot.com
06 - 7 Khoon Maaf - Dil Dil Hai@review-of-movies.blogspot.com
07 - 7 Khoon Maaf - Yeshu@review-of-movies.blogspot.com
08 - 7 Khoon Maaf - Doosri Darling@review-of-movies.blogspot.com
09 - 7 Khoon Maaf - O Mama (Acoustic)@review-of-movies.blogspot.com

Watch 7 Saat Khoon Maaf Videos

Yeh Saali Zindagi - Movie Review

Cast :: Arunoday Singh, Chitrangda Singh, Irrfan Khan

A while ago, while chatting him up for my show on TV, someone queried Sudhir Mishra as to why Hindi film industry fails to produce qualitative movies, unlike the 1960s and 1970s, which have tremendous recall value even in the present day? I markedly remember, Mishra didn't blink an eyelid while answering this one: "That's because most producers are not literate enough to understand scripts that could elevate the standards of Hindi films. Film-making for them is limited to the weekend business these days." The proclamation stayed with me!

When you saunter into a cineplex to watch a Sudhir Mishra film, it's given that this maverick film-maker will serve you non-formulaic stuff. As a viewer, I liked some of his efforts [IS RAAT KI SUBAH NAHIN, HAZAARON KHWAISHEIN AISI], but a few didn't live up to my expectations. His new film, YEH SAALI ZINDAGI, has already generated the buzz for a variety of reasons. It's 'controversial' or 'provocative' title being the key one.

Before I proceed further, let me tell you that the title is of immense significance to the film. Sure, it may sound offensive [the Censor Board chief too raised a hue and cry, asking Mishra to change the title of the film], but why does a commonly used word ['saali'] create an uproar? Actually, I am quite amused at the brouhaha. In our society, we refer to the sister-in-law as saali, don't we? Besides, almost three decades ago, the Dilip Kumar starrer SAGINA had a very popular song [which we recall to this day], 'Saala Main To Sahab Ban Gaya' and more recently, 'Pappu Can't Dance Saala' from JAANE TU YA JAANE NA took the nation by storm. Even recently, the word 'Saali' was used in a song from NO ONE KILLED JESSICA, 'Aali Re Saali Re'. Also, when you view YEH SAALI ZINDAGI, you realize that 'saali' has been used as a symbol to the vagaries of life and not as a derogatory, abusive, swear word. It's not slang, but a flare-up of expression.

It requires a fearless and courageous film-maker [Prakash Jha] to back an audacious film-maker [Sudhir Mishra] to create a motion picture that defies stereotype. The risk involved is colossal, but the satisfaction of having created a product that has tremendous shelf life is incalculable. YEH SAALI ZINDAGI is a striking case in point.

In an industry where mediocre scripts rule and funds are readily available for projects only if 'saleable stars' are ready to sign on the dotted line, in an industry where tried and tested formula and shortcuts have become a habit, YEH SAALI ZINDAGI comes as a courageous attempt. It may not be this fiercely independent film-maker's most accomplished effort, but it has the guts and valor to narrate an innovative story with a brand new approach.

At the same time, I'd like to add that the content is quirky, the relationships depicted in the film are complex and twisted and the format of narrating the story [including the edit pattern] is poles apart from what one is used to watching in the customary Hindi film. Even the spoken language is harsh, crude, with lots of expletives and swear words thrown in. But that's the beauty of this film. It walks a different path.

Final word? Sudhir Mishra is back in form. You need a strong belly to stomach this one!

Arun [Irrfan Khan] has to save Priti [Chitrangda Singh], the woman he loves, but for that he first has to save the man Priti loves, Shyam [Vipul Gupta], the future son-in-law of a powerful Minister. Meanwhile, time is running out for Kuldeep [Arunoday Singh], the young gangster who is on his last job as his wife [Aditi Rao Hydari] is threatening to walk out on him and he begins to suspect she is leaving him to go into the arms of another man.

The job has gone haywire for it is still unknown to Kuldeep that the Minister's daughter's engagement with Shyam is off and now she doesn't care whether Shyam lives or dies and more importantly, neither does the Minister who Kuldeep hoped would pay the ransom. Priti finds herself inextricably caught in this mess and Arun has to save her life. But for that he has to risk everything and put his own life at stake, he wonders why he should do it at all, if she still loves another man. He's torn, but love knows no reason.

Sudhir Mishra has worked on a taut screenplay to ensure that at no point in those 2 hours monotony sets in. Multiple stories are running concurrently, but unlike other films, these stories are linked to each other till the very conclusion. There're twists aplenty and the punches that come at regular intervals startle you since they don't follow the set blueprint that most Hindi films follow.

But the film is not without blemishes. One, Mishra should've ensured that the narrative unfolded in the most simplistic manner, for there are sequences which leave behind queries and come across as difficult to comprehend. Since the film has too many characters and too many incidents taking place in the course of a few days, the treatment had to be simplistic, without confusing the viewer, who's seated on the fence and is overseeing the proceedings. Also, the inconsistent pacing is a deterrent. Besides, you find sequences that just add to the run time and have not much significance to the main plot whatsoever.

The climax would meet with mixed reactions, especially the 'bullet' sequence. It would've worked big time in a Manmohan Desai film, but in view of the fact that Sudhir Mishra walks the realistic path, it's a bit difficult to absorb. Nonetheless, it's a brilliant way to end the film!

The soundtrack of YEH SAALI ZINDAGI bears a different sound, especially the title track. Sachin Krishn's cinematography is perfect [the locales of Delhi and outskirts are well captured], but the only problem is that most of the shots have been dimly lit up, which may not be a problem at city plexes having good projection systems, but would pose a problem at smaller towns for sure. Something that even Vishal Bhardwaj had agreed with my viewpoint during KAMINEY. Dialogue [Mishra and Manu Rishi], like I pointed out earlier, are straight out of everyday conversation. The hoi polloi in particular would relish the cuss words, which are generously interwoven in the narrative. Background score is electrifying and the editing [most parts] makes the goings-on impactful.

YEH SAALI ZINDAGI is embellished with gifted actors and as always, it's Irrfan who leads the pack with a superb performance, holding your attention from the very start. He's aggressive when required [with Saurabh Shukla], but docile when handling matters of heart [Chitrangda Singh]. Chitrangda looks stunning and matches up to Irrfan in most parts. In fact, her screen persona is so strong you can't take your eyes off this lady.

Arunoday continues to climb the ladder with every film. The youngster excels in his part and stands out not only because of his towering personality, but also because he's a complete natural. Aditi Rao Hydari is very good. Saurabh Shukla is an accomplished actor and he proves it yet again. Sushant Singh is first-rate, Vipin Sharma is utmost convincing, Yashpal Sharma is remarkable and Prashant Narayanan is superb, as always. Vipul Gupta is another talent to watch out for.

On the whole, YEH SAALI ZINDAGI is a striking example of new age cinema. A daring film with a brand new approach, it's impulsive and engaging with skilful direction and power-packed performances as its strong points. This is one more solid attempt that takes the graph of Hindi cinema to a greater level.

Download Yeh Saali Zindagi MP3 Songs
01 - Yeh Saali Zindagi@review-of-movies.blogspot.com
02 - Sararara@review-of-movies.blogspot.com
03 - Dil Dar-Ba-Dar@review-of-movies.blogspot.com
04 - Ishq Tere Jalwe@review-of-movies.blogspot.com
05 - Kaise Kahein Alvida@review-of-movies.blogspot.com
06 - Yeh Saali Zindagi (Bonus Track)@review-of-movies.blogspot.com
07 - Sararara (II)@review-of-movies.blogspot.com
08 - Yeh Saali Zindagi (Female Version)@review-of-movies.blogspot.com

01 - Yeh Saali Zindagi@review-of-movies.blogspot.com
02 - Sararara@review-of-movies.blogspot.com
03 - Dil Dar-Ba-Dar@review-of-movies.blogspot.com
04 - Ishq Tere Jalwe@review-of-movies.blogspot.com
05 - Kaise Kahein Alvida@review-of-movies.blogspot.com
06 - Yeh Saali Zindagi (Bonus Track)@review-of-movies.blogspot.com
07 - Sararara (II)@review-of-movies.blogspot.com
08 - Yeh Saali Zindagi (Female Version)@review-of-movies.blogspot.com

Watch Yeh Saali Zindagi Videos

7 Saat Khoon Maaf - Music Review

Cast :: Neil Nitin Mukesh, Priyanka Chopra, Naseruddin Shah, John Abraham, Mohanlal, Irrfan Khan

Hype came when Theatrical trailers arrived at screens. Most expected movie of Priyanka Chopra showed once again hope for another masterpiece like FASHION. We listened DARLING in the trailer and later it's telecast-ed. It can be easily said that Darling's the first finest pieces we have heard in 2011 and so on expectations aroused for another mind blowing Vishal Bharadwaj album like "Kaminey", "Ishqiya" or "Omkara".

Carrying a Spanish feel in heart, DARLING's all set to burn the charts this moment. The two phenomenal female voices of Rekha Bharadwaj & Usha Uthup have just made the fire spread away to most far position. A spectacular composition and catchy lyrics by Gulzar have done a splendid job. "Darling" is the song of the moment. If Darling's slowed up in tempo at times and new lyrics have been added to it to make it a bit more beautiful, then you got a similar song to it that even has a nice title, DOOSRI DARLING. "The Darling series" has surely benefited the whole album.

To describe Sussana's romance with a muslim poet, BEKARAAN can be said the perfect choice of song. Strongly close to "MADHNO" from "LAMHAA", Bekaraan has a sweet & calm rhythm that can easily bind you in its spell. Sweet vocal by Vishal Bharadwaj himself, he has easily succeeded in composing a beautiful romantic number.

We see K.K. in a complete new avatar in O MAMA, a pulsar romantic track. With Rocking composition & catchy lyrics like "Sar Ko Aksar Nochta Hai Dil Mera", "Ek Meow Si Ladki", the song sounds even more better. On the whole, O Mama is far far successful to create a super impact on listeners and has K.K. written all oevr it as the reason for it's sensation.

With a Sufi Feeling in it, AWAARA makes arrival in the soundtrack and Vishal Bharadwaj has made the right desicion to choose Master Saleem as the vocalist as he is a perfectionist in these kind of tracks. Awaara has a melancholy strain in it and might be used in the background of any scene in the movie. Allover, it's purely a situational number that is quite impressive.

Pure & melodious romanticism enters the list when TERE LIYE, the most impressive song of the album enters. It surely carries the theme of Sussana in it under the magical vocal of Suresh Wadkar. Impressive & touchy lyrics by Gulzar are just the icing on the cake. After a long period, Suresh Wadkar delivers such a splendid song, Thanks to Vishal Bharadwaj. Will remind you about another sweet masterpiece "AB MUJHE KOI" from "ISHQIYA" by Vishal himself.

Suraj Jagan, the most rocking singer today whose throat has no limits to scream. If you are planning to compose a wild & acid based song, then you will have to make it sung by him. DIL DIL HAI purely signifies any live performance in the whole movie and Vishal has wisely appointed Suraj in it. A wild, completely rocking, full of electric guitars, drums and beats, this 185 minutes long track will impress young listeners most.

At last arrives a calm and strange track, YESHU that is sung by Rekha Bharadwaj. If you have heard "BADI DHEERE JALI" from "ISHQIYA", then you will find much similarity in both of them. Allover, a fair listen.

Vishal Bharadwaj albums always signify different tastes in a single dish and 7 Khoon Maaf is not different from it. 7 Khoon Maaf has ability to be another musical success in Priyanka & Vishal both's filmography. Delivered, as expected. We Hope Vishal Bharadwaj does justice with Ruskin Bond's "Sussana's Seven Husbands" in his movie. Final Word? Not 1, Not 2, Not Even 3, 4 Stars Maaf For the music of 7 Khoon Maaf.

Download 7 Saat Khoon Maaf MP3 Songs
01 - 7 Khoon Maaf - Darling@review-of-movies.blogspot.com
02 - 7 Khoon Maaf - Bekaraan@review-of-movies.blogspot.com
03 - 7 Khoon Maaf - O Mama@review-of-movies.blogspot.com
04 - 7 Khoon Maaf - Awaara@review-of-movies.blogspot.com
05 - 7 Khoon Maaf - Tere liye@review-of-movies.blogspot.com
06 - 7 Khoon Maaf - Dil Dil Hai@review-of-movies.blogspot.com
07 - 7 Khoon Maaf - Yeshu@review-of-movies.blogspot.com
08 - 7 Khoon Maaf - Doosri Darling@review-of-movies.blogspot.com
09 - 7 Khoon Maaf - O Mama (Acoustic)@review-of-movies.blogspot.com

01 - 7 Khoon Maaf - Darling@review-of-movies.blogspot.com
02 - 7 Khoon Maaf - Bekaraan@review-of-movies.blogspot.com
03 - 7 Khoon Maaf - O Mama@review-of-movies.blogspot.com
04 - 7 Khoon Maaf - Awaara@review-of-movies.blogspot.com
05 - 7 Khoon Maaf - Tere liye@review-of-movies.blogspot.com
06 - 7 Khoon Maaf - Dil Dil Hai@review-of-movies.blogspot.com
07 - 7 Khoon Maaf - Yeshu@review-of-movies.blogspot.com
08 - 7 Khoon Maaf - Doosri Darling@review-of-movies.blogspot.com
09 - 7 Khoon Maaf - O Mama (Acoustic)@review-of-movies.blogspot.com

Watch 7 Saat Khoon Maaf Videos

Yeh Saali Zindagi - Music Review

Cast :: Arunoday Singh, Chitrangda Singh, Irrfan Khan

One looks forward to getting surprised with the soundtrack of Yeh Saali Zindagi. After all the film has been directed by Sudhir Mishra whose films invariably boast of good, though different, music. They may or may not find instant appeal but then they are remembered long after the film has come and gone. Case in point being Is Raat Ki Subah Nahi, Chameli and of course Hazaron Khwaishein Aisi. His last release Khoya Khoya Chand may not be playing till date while Tera Kya Hoga Johny never saw a release. Still one definitely wants to check out what does first time composer Nishat Khan have to offer here along with lyricist Swanand Kirkire.

As expected, it's the title song 'Yeh Saali Zindagi' which kick starts the proceedings in the album. A rare track that features both Sunidhi Chauhan and Shilpa Rao, it by itself becomes special due to these two singers with a distinct voice coming together behind the mike along with Kunal Ganjawala. A track that starts off as a soft track, it picks up pace within a minute to give it a pacy feel, only to return into being a slow number all over again. With hevay Western influence to it, 'Yeh Saali Zindagi' is a well written, composed and sung track that delivers what one expected from the soundtrack of this Sudhir Mishra film.

Due to it being a superb composition in the offing, Yeh Saali Zindagi deservingly finds two more versions going for it in the album. While one of them is an all-female version with Sunidhi and Shilpa pairing up all over again, there is also a bonus version with Abhishek Ray going solo. While the former follows the same mood and form as the one that was heard earlier at the beginning of the album, the latter is a funky version which takes a different texture altogether. Though the male version (with quite a few English lyrics in it) isn't bad, one would still want to go back to the original for its intrinsic quality appeal to it.

Just when one thought that composer Nishat Khan would keep Yeh Saali Zindagi in an offbeat zone comes a celebration track in the form of 'Sararara'. The kind of song which can be comfortably slotted into a quintessential Bollywood track which is set in a 'ched chaad' mode, especially during the festivities of 'Holi', 'Sararara' is heard twice. While the first is helmed by Sukhwinder Singh, the second version has Javed Ali taking charge and doing quite well too. A decent sounding track which doesn't quite have a long lasting appeal to it and seems to have been included primarily for reasons leading to commercial appeal, 'Sararara' should do well with the film.

The moment Shilpa Rao goes 'tu ru ru ru ru', one knows that here is one song which one was expecting from Yeh Saali Zindagi especially after listening to the title track. 'Dil Dar-Ba-Dar' has a fusion appeal to it with elements of 'sufi' music interspersed with Jazz and Blue, hence leading to an interesting composition in the offing. While Javed Ali plays a supporting role in the song, 'Dil Dar-Ba-Dar' stays on to be entirely a Shilpa Rao track that can be heard multiple times without one getting tired of it.

Shilpa Rao and Javed Ali return with 'Ishq Tere Jalwe' which has the kind of start that reminds one of 'Bheegi Bheegi Si' [Gangster]. Nevertheless, the moment Javed Ali starts his rendition, one knows that 'Ishq Tere Jalwe' is an entirely different composition. Though the song starts off on a rather average note, the moment there is emphasis on the word 'Ishq' followed by Shilpa's arrival behind the mike; you know that this one too is a number worth listening. Yet again, the song follows the same mood as evidenced in Yeh Saali Zindagi and 'Dil Dar-Ba-Dar' to give the soundtrack a theme appeal.

Finally arrives 'Kaise Kahein Alvida' which is a Javed Ali solo. This one takes the album into a different zone as it has an Indian classical base to it and is pretty much the kind of track that lonely lovers listen to in the night. If you are looking for the kind of song which has an elevating appeal, this is not the one. However for those searching for something which is totally non-filmy and can be played on in a repeat mode and forgotten after the lights are switched off, 'Kaise Kahein Alvida' should do well.

Yeh Saali Zindagi isn't the kind of album which finds instant attention for itself, courtesy it's unconventional set up. Yes, there are songs out there which do impress and actually come with a long lasting appeal. However there is a lot that depends upon the appreciation that the film garners at the box office or later through word of mouth amongst the audience, something that resulted in Hazaron Khwaishein Aisi become a cult film amongst a segment of audience. Nishat Khan and Swanand Kirkire do well but one has to wait for the film to release and the following it gets before his music can be termed commercially successful.

Download Yeh Saali Zindagi Mp3 Songs
01 - Yeh Saali Zindagi@review-of-movies.blogspot.com
02 - Sararara@review-of-movies.blogspot.com
03 - Dil Dar-Ba-Dar@review-of-movies.blogspot.com
04 - Ishq Tere Jalwe@review-of-movies.blogspot.com
05 - Kaise Kahein Alvida@review-of-movies.blogspot.com
06 - Yeh Saali Zindagi (Bonus Track)@review-of-movies.blogspot.com
07 - Sararara (II)@review-of-movies.blogspot.com
08 - Yeh Saali Zindagi (Female Version)@review-of-movies.blogspot.com

01 - Yeh Saali Zindagi@review-of-movies.blogspot.com
02 - Sararara@review-of-movies.blogspot.com
03 - Dil Dar-Ba-Dar@review-of-movies.blogspot.com
04 - Ishq Tere Jalwe@review-of-movies.blogspot.com
05 - Kaise Kahein Alvida@review-of-movies.blogspot.com
06 - Yeh Saali Zindagi (Bonus Track)@review-of-movies.blogspot.com
07 - Sararara (II)@review-of-movies.blogspot.com
08 - Yeh Saali Zindagi (Female Version)@review-of-movies.blogspot.com

Watch Yeh Saali Zindagi Videos